Ottessa Moshfegh’s My Year of Rest and Relaxation is usually discussed as a story about withdrawal, excess, or boredom among…
PROTESTS IN HOLLYWOOD: INTEGRITY AND CELEBRITY ADVOCACY
The term ignorance is bliss has no greater sanctuary than in Hollywood. No one is less incentivised to challenge the…
GLASGOW FILM FESTIVAL Opening Gala Review: Everybody to Kenmure Street
The Glasgow Film Festival 2026 opened yesterday with a documentary detailing one of the most powerful moments in the city’s…
Will you be my Galentine?
In our current dating climate, Valentine’s Day means finding a romantic partner, or spending the holiday alone. But there’s a…
PROTESTS STILL HAPPEN IN THE WINTER
Winter is a lethargic season. It’s the harsh winds, misty skies and an early retreating sun. It’s the grey blur…
Mirror, mirror, on the wall, show me the most wicked X-Factor judge of them all…
For decades, the villainous crown of the X-Factor sat firmly on the jagged peak of Simon Cowell’s monstrous quiff. The…
Cutting my (own) hair
I started cutting my own hair because I did not want to book appointments anymore. That is genuinely it. I…
Wake Up Dead Man: Review
In an interview with Marcus Errico on the third instalment of the Knives Out universe, Rian Johnson admits that he…
Joachim Trier, A Spotlight
Since his first feature length film, Reprise (2006), Joachim Trier has focused on people who, at first, seem put together…
The Battle of Best vs Favourite
Sweating in Gilmorehill as a Film and TV student at the University of Glasgow is a common occurrence. The cinema’s…
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